Then one can see Ripley and the dog with a hole in his abdomen.
Both stick to male stereotype-behaviour and when one of them had left the room, the other finds a dead ‘Facehugger’ at the cow’s body. They continue talking about Ripley and how she should/could be handled. Two men carry a dead cow to the slaughterhouse and they are talking about the reasons for ist death. He asks her why the body of the little girl has to be opened and if she is Ripley’s daughter. The prisoners recover the bodies and a monitor shows that the message has been sent to the centre.Ī scene where one man discovers the badly-wounded dog has been deleted from the theatrical version because the dog is no longer a host for the alien in the SE.Ĭlemens brings Ripley to the morgue. In the inside a dog is barking and one can see a ‘Facehugger’. See /privacy for more information.The pod is been removed. Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Roger Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners
Film Remakes as Ritual and Disguise: From Carmen to RipleyScott Tafoya. Also: Joe's love of Charles Dance, confusion over "womb stuff" and why Fincher needs to get over his hatred of his directorial debut.Īnat Zanger. Plus: our secret connections to the number three, the xenomorph as drag queen, the differences between the theatrical and assembly cuts and Charles S. Here to help us make sense of the Assembly Cut (not the theatrical cut) is returning guest Sade Sellers (see previous episode Orphan), who has issues with the film's treatment of Ripley (Sigourney Weaver) and sexual assault (content warning!) Our month of 3s comes to a close with David Fincher's Alien 3 (1992), which may take the prize for most convoluted production history.
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